| Sunday,
                    July 9, 2000, 12:00 a.m. Pacific BooksReleases give two takes on
                    cyberculture
 
 by David J. MorelSpecial to the Seattle Times
                      
                        
                          | "Bobos in Paradise: The New
                            Upper Class and How TheyGot There"
 by David Brooks
 Simon & Schuster, $25
 |  
                          | "Cyberselfish:A Critical Romp Through the Terribly Libertarian
                            Culture
 of High Tech"
 by Paulina Borsook
 PublicAffairs, $24
 |  
                          | ReadingPaulina Borsook will read from "Cyberselfish"
                            at 7:30 p.m. Wednesday at the Elliott Bay Book Co.,
                            101 S. Main St. in Seattle. Information:
                            206-624-6600.
 |   
                     The sky is black. The sky is blue.
                     That is probably how Paulina Borsook and David Brooks
                    would respectively describe the same slice of early evening.
                    In two new titles - each of which is, in part, a loosely
                    veiled stab at the word coining game - they tackle what is
                    essentially the same topic: contemporary culture and the
                    next likely stop for this roller coaster.
                     In "Cyberselfish: A Critical Romp Through the
                    Terribly Libertarian Culture of High Tech," Borsook
                    limits herself to exploring the technology boom of the San
                    Francisco Bay Area and its ramifications on the culture at
                    large. Her work is obviously meant to be a warning of things
                    to come on a national scale - a shot across the bow. While
                    in "Bobos in Paradise: The New Upper Class and How They
                    Got There," Brooks explores what he identifies as a
                    major cultural shift - the birth of a new American
                    establishment.
                     Borsook's basic argument is that most of the high and
                    mighty of high tech are overly fond of the free market and
                    overly antagonistic of government interference and
                    regulation - a political outlook that she defines as
                    technolibertarianism. She notes that the recent
                    gazillionaires of the technology boom are less than
                    forthcoming in their charitable endeavors. And she contends
                    that many technolibertarian ideals simply don't hold water:
                    The free market is not a panacea, all change is not good and
                    the good old-fashioned library is often still the best place
                    to conduct research.
                     But yet the ax grinding between the lines of "Cyberselfish"
                    is almost deafening. Huge gobs of anger - directed in
                    particular at Wired magazine, where Borsook used to be a
                    contributing writer - weigh down almost every page. (This is
                    the only book I have encountered that lists a
                    disacknowledgment.) And overall, while trundling through
                    details of one unheard-of conference after another, this
                    book remains blissfully unaware that, to a large extent, the
                    culture surrounding high tech has shifted. Witness the
                    recent stock-market phobia to dot-coms. Or the looming
                    breakup of Microsoft - all of which makes many of the
                    arguments in "Cyberselfish" feel a bit like my
                    once-beloved Commodore 64: obsolete.
                     "Bobos in Paradise" takes a gentler approach in
                    shooting its prey. Brooks argues that the centurieslong feud
                    between the bohemian subculture and the capitalist
                    bourgeoisie has finally been resolved. And that the two have
                    merged to form a new creature: the Bobo.
                     Beginning with a description of the changing values
                    reflected in the glistening teeth of the New York Times
                    weddings page, Brooks goes on to describe how American
                    culture has undergone a dramatic change since the 1950s. And
                    that this new establishment follows a different set of
                    rules:
                     "They are prosperous without seeming greedy; they
                    have pleased their elders without seeming conformist; they
                    have risen toward the top without too obviously looking down
                    on those below; they have achieved success without
                    committing certain socially sanctioned affronts to the ideal
                    of social equality; they have constructed a prosperous
                    lifestyle while avoiding the old cliches of conspicuous
                    consumption."
                     In sharp contrast to the technoselfish "geeks"
                    and "nerds" that Borsook portrays, Brooks writes
                    of the birth of a new business ethic, one in which work is
                    more about doing something that you enjoy than making money.
                    One in which it is the upper echelons of business that
                    scream for revolution. One in which a new type of manager
                    strives to create "meaning" for his employees as
                    much as "profit" for his stockholders. And while
                    such sentiments undoubtedly induce the gag reflex in many,
                    Brooks himself is the first to point out that not all that
                    glitters in Bobo culture is indeed organic.
                     "Bobos in Paradise" walks a fine line between
                    glorifying this new establishment and demonizing it, which
                    is perhaps what separates this book the most from "Cyberselfish"
                    - its tone.
                     While Brooks admits to being a part of this new
                    establishment - just as Borsook admits to being a part of
                    the high-tech culture of the Bay Area - he seems to have
                    made his peace with this idea, and even found much to admire
                    in this new establishment's wackiness, while never faltering
                    in the conviction that this establishment is as
                    contradictory and loopy as all of those that have preceded
                    it.
                     All of which makes this reader think that in the
                    word-coining game, we may well be talking about Bobos years
                    down the line, while cyberselfish will take on the ring of
                    an oxymoron. Or at least we can hope for as much.
                     
                    
                    
  Copyright
                    © 2000 The Seattle Times Company
 
                    
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